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Karl Briullov Portrait of pricess yelizaveta Saltykova oil painting


Portrait of pricess yelizaveta Saltykova
Painting ID::  39561
Karl Briullov
Portrait of pricess yelizaveta Saltykova
mk149 1841 Oil on canvas 200x142cm

   
   
     

Karl Briullov Portrait of Ivan Krylov oil painting


Portrait of Ivan Krylov
Painting ID::  39562
Karl Briullov
Portrait of Ivan Krylov
mk149 1839 Oil on canvas 102.3x86.2cm

   
   
     

Karl Briullov Portrait of Prince Mikhail Obolensky oil painting


Portrait of Prince Mikhail Obolensky
Painting ID::  39563
Karl Briullov
Portrait of Prince Mikhail Obolensky
mk149 1840-46 Oil on canvas 123.7x106.7cm

   
   
     

Karl Briullov Portrait of Countess Yulia Samoilova with her Adopted daughter amzilia pacini oil painting


Portrait of Countess Yulia Samoilova with her Adopted daughter amzilia pacini
Painting ID::  39564
Karl Briullov
Portrait of Countess Yulia Samoilova with her Adopted daughter amzilia pacini
mk149 not later than 1842 Oil on canvas 249x176cm

   
   
     

Karl Briullov Sweet Waters near constantinople oil painting


Sweet Waters near constantinople
Painting ID::  39565
Karl Briullov
Sweet Waters near constantinople
mk149 1849 Watercolour on paper 69x87cm

   
   
     

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     Karl Briullov
     Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.

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     | Abraham Jansz Van Diepenbeeck | Woolner, Thomas | Colman Samuel |


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